Repositório de Referências
Repositório de Referências
Introdução ao Audiovisual
▸ Friedrich Kittler. Mídias ópticas – curso em Berlin, 1999. Contraponto, 2016.
▸ Leo Enticknap.
Moving image technology – from zoetrope to digital. Wallflower Press, 2005.
▸ Stephen Hebert.
A History of Pre-Cinema. 2 vol. Routledge, 2000.
▸ Hermann Hecht, Ann Hecht. Pre-cinema history – an encyclopaedia and annotated
bibliography of the moving image before 1896. Bowker-Saur, 1993.
▸ Film Reference. Pre-Cinema. Disponível aqui.
▸ The Richard Balzer Collection. www.dickbalzer.com.
▸ The History of the Discovery of Cinematography. Disponível em: www.precinemahistory.net.
▸Wikipedia. Precursors of film. Disponível aqui.
▸ Raymond Fielding. A Technological History Of Motion Pictures And Television – An
Anthology From The Pages Of The Journal Of The Society Of Motion Picture And Television
Engineers. University of California Press, 1967.
▸ Stephen Herbert. The Complete Muybridge. Disponível aqui.
▸ Étienne-Jules Marey. Obra resgatada. Disponível aqui.
▸ Who’s Who of Victorian Cinema. http://www.victorian-cinema.net.
▸ Laurent Mannoni. La machine cinéma. Lienart, 2016.
▸ Jean Vivié. Prélude au Cinéma – de la préhistoire à l’invention. L’Harmattan, 2006.
▸ Laurent Mannoni, Donata Pesanti Campagnoni. Lanterne magique et film peint: 400 ans de
cinéma. Martinière.
▸ Laurent Mannoni, Donato Pesenti Campagnoni, David Robinson. Light and Movement:
Incunabula of the Motion Picture, 1420-1896. British Film Institute, 1996.
▸ Laurent Mannoni. A Grande Arte da Sombra e da Luz – arqueologia do cinema. Unesp, 2003.
▸ D.B. Thomas. Origins of the Motion Picture – Science Museum Introductory Booklet on
Pre-history of the Cinema. 1964.
▸ Tom Gunning. The Play between Still and Moving Images: Nineteenth-Century “Philosophical
Toys” and Their Discourse. Em: Eivind Røssaak. Between Stillness and Motion – Film,
photography and algorithms. Amsterdam University Press, 2011.
▸ Tom Gunning. Early Cinema and the Variety of Moving Images. American Art, v. 22, n. 2,
2008.
▸ CrashCourse. Movies are Magic: Crash Course Film History #1. Disponível aqui.
▸ Who’s Who of Victorian Cinema. http://www.victorian-cinema.net.
▸ Ansel Adams. The Camera. Little, Brown and Company, 2009.
▸ Ansel Adams. The Negative. Little, Brown and Company, 2010.
▸ Josef Maria Eder. History of Photography. [1905]
▸ William Crawford. The Keepers of Light: A History and Working Guide to Early Photographic
Processes. Morgan & Morgan, 1979.
▸ Blain Brown. Cinematography – Theory and Practice. Focal Press, 2002.
▸ Harrison Barret, Kyle Myers. Foundations of Image Science. Wiley, 2003.
▸ Graham Saxby. The Science of Imaging. Wiley, 2010.
▸ Society for Imaging Science and Technology. www.imaging.org.
▸ Tim Vitale. Brief History of Imaging Technology. 2003. Disponível aqui.
Patrimônio e preservação audiovisual
▸ Thibault Le Hégarat. Un historique de la notion de patrimoine. 2015. <halshs-01232019>
Disponível em: https://halshs.archives-ouvertes.fr/halshs-01232019/document.
▸ Patrice Béghain. Le patrimoine – culture et lien social. Presses de Sciences Po, 1998.
▸ Dominique Poulot. Une Histoire du Patrimoine en Occident – XVIIIe-XXIe siècle. PUF, 2006.
▸ André Chastel, Jean-Pierre Babelon. La Notion de Patrimoine. Liana Levi, 2008.
▸ Christian Barrère. Les Trois Temps du Patrimoine. 2013. Disponível em:
http://www.asrdlf2013.org/IMG/pdf/C_-_Barrere_-_Les_quatre_temps_du_patrimoine_c
ulturel.pdf.
▸ David C. Harvey. The History of Heritage. Ashgate Publishing, 2008. Disponível em:
http://kodu.ut.ee/~cect/teoreetilised%20seminarid_2010/etnoloogia_uurimisrühma_seminar/Harvey-The_History_of_Heritage.pdf.
▸ Michel Duchein. The History of European Archives and the Development of the Archival
Profession in Europe. American Archivist vol. 55, 1992. Disponível em:
http://americanarchivist.org/doi/pdf/10.17723/aarc.55.1.k17n44g856577888?code=SAME-site.
▸ Michel Duchein. The History of European Archives and the Development of the Archival Profession in Europe. American Archivist vol. 55, 1992. Disponível em:
http://americanarchivist.org/doi/pdf/10.17723/aarc.55.1.k17n44g856577888?code=SAME-site.
▸ Stuart Murray. The library – an illustrated history. Skyhorse Publishing, 2012.
▸ Paul Delsalle, Margaret Procter (trad.). A History of Archival Practice. Routledge, 2018.
▸ Markus Friedrich. The Birth of the Archive – a history of knowledge. University of Michigan Press, 2018.
▸ FIAF – International Federation of Film Archives. https://www.fiafnet.org.
▸ Museum of Modern Art (MoMA). https://www.moma.org.
▸ British Film Institute (BFI)’s National Archive. https://www.bfi.org.uk/archive-collections.
▸ La Cinémathèque Française. http://www.cinematheque.fr.
▸ ABPA – Associação Brasileira de Preservação Audiovisual.
http://www.abpreservacaoaudiovisual.org/site.
▸ George Eastman Museum. https://www.eastman.org/.
▸ Cinemateca Brasileira. http://cinemateca.gov.br.
▸ Cinemateca do Museu de Arte Moderna do Rio de Janeiro (MAM-RJ).
http://www.mamrio.org.br.
▸ L’Immagine Ritrovata. http://www.immagineritrovata.it.
▸ The Film Foundation. http://www.film-foundation.org.
▸ FIAT/IFTA – International Federation of Television Archives. http://fiatifta.org.
▸ AMIA – The Association of Moving Image Archivists. https://amianet.org.
▸ FOCAL International. https://www.focalint.org.
▸ IASA – Asociación Internacional de Archivos Sonoros y Audiovisuales.
https://www.iasa-web.org.
▸ Presto Centre. https://www.prestocentre.org.
▸ Liber. http://www.liber.ufpe.br.
▸ Fundação Joaquim Nabuco. http://www.fundaj.gov.br.
▸ Cinemateca Pernambucana. http://cinematecapernambucana.com.br.
▸ Imperial War Museums. https://www.iwm.org.uk/collections/film.
▸ Rafael de Luna. Subsídios para uma história recente da Cinemateca do MAM. 2012.
Disponível em:
http://preservacaoaudiovisual.blogspot.com/2012/06/subsidios-para-uma-historia-recente-da.html.
▸ Ines Aisengart. Memorial Crítico na Área de Preservação Audiovisual. Monografia – UFF, 2009.
▸ Maria Fernanda Coelho. A experiência brasileira na conservação de acervos
audiovisuais: um estudo de caso. Dissertração – ECA-USP, 2009.
▸ Carlos Roberto Rodrigues de Souza. A Cinemateca Brasileira e a preservação de filmes no Brasil. Tese – ECA-USP, 2009.
▸ Maria Laura Bezerra Lidner. Políticas para a preservação audiovisual no Brasil
(1995-2010). Tese – UFBA, 2013.
▸ Alice Pougy. A Cinemateca do MAM e os cineclubes do Rio de Janeiro: formação de uma cultura cinematográfica na cidade. Dissertação – PUC-RJ, 1996.
▸ Caio Julio Cesaro. Preservação e restauração cinematográficas no Brasil: a restauração do acervo de Hikoma Udhiara. Tese – Universidade Estadual de Campinas, 2007.
Disponível em: http://cutter.unicamp.br/document/?code=vtls000448683.
▸ Fausto Douglas Correa Junior. Cinematecas e cineclubes: cinema e política no projeto da Cinemateca Brasileira (1952 – 1973). Dissertação – Universidade Estadual Paulista, 2007.
Disponível em:
http://polo3.assis.unesp.br/posgraduacao/teses/historia/faustodouglascorreajunior.pdf.
▸ Simone Rolim Moura. Entre memória e preservação: uma etnografia sobre a implantação da Cinemateca Capitólio, em Porto Alegre – RS. Dissertação – UFRGS, 2008. Disponível em:
http://www.lume.ufrgs.br/bitstream/handle/10183/13813/000651578.pdf?sequence=1
▸ José Luiz de Araújo Quental. A preservação cinematográfica no Brasil e a construção de uma cinemateca na Belacap: a Cinemateca do Museu de Arte Moderna do Rio de Janeiro
(1948 – 1965). Dissertação – UFF, 2010.
▸ Angélica Gasparotto de Oliveira. A preservação de acervos fílmicos no Distrito Federal. Dissertação – UnB, 2013. Disponível em:
http://repositorio.unb.br/bitstream/10482/13540/1/2013_Ang%C3%A9licaGasparottodeOliveira.pdf.
▸ Penelope Houston. Keepers of the Frame: the film archives. BFI, 1994.
▸ Caroline Frick. Saving Cinema: the politics of preservation. Oxford University Press, 2011.
▸ Anthony Slide. Nitrate Won’t Wait: A History of Film Preservation in the United States. McFarland & Company, 2000.
▸ Michael Binder. A Light Affliction: a History of Film Preservation and Restoration. Lulu.com, 2015.
▸ Leo Enticknap. Film Restoration: The Culture and Science of Audiovisual Heritage. Palgrave
Macmilan, 2013.
▸ Roger Smither (ed.). This Films is Dangerous: A Celebration of Nitrate Film. FIAF, 2002.
▸ Eric Le Roy. Cinémathèques et archives du film. Armand Colin, 2013.
▸ UNESCO. Recomendação para a proteção e preservação de imagens em movimento. 1980. Texto oficial no portal da UNESCO. Tradução por organização portuguesa disponível aqui.
▸ Stephen Bottomore. ‘The collection of rubbish.’ Animatographs, archives and arguments: London, 1896-97. Sobre a doação de filmes por Robert Paul ao British Museum. Film History, Vol. 7,
No. 3, outono 1995. Disponível aqui.
▸ Caroline Frick. Saving Cinema: the politics of preservation. Oxford University Press, 2011.
▸ R. Smither, David Walsh. Unknown Pioneer: Edward Foxen Cooper and the Imperial War
Museum Film Archive, 1919-1934. Film History, 12(2). Disponível em JSTOR (acesso restrito).
▸ Stephen Badsey. The ‘IWM series’. A guide to the Imperial War Museum collection of
archive film of the First World War. Historical Journal of Film, Radio and Television, 13:2,
203-214, 1993, DOI: 10.1080/01439689300260211.
▸ Bolesław Matuszewski. Uma nova fonte de história. 1898. Panfleto onde o autor prega a criação de uma cinemateca. Disponível em Francês (original) e Inglês.
▸ Library of Congress. Motion Pictures in the Library of Congress. 1989. Disponível aqui.
▸ Library of Congress. Early Motion Pictures Free of Copyright Restrictions in the Library of
Congress. 2016. Disponível aqui
▸ Christian Dimitriu. Eileen Bowser – A Life Between Film History, MoMA and FIAF. 2009. Disponível aqui.
▸ Anne Morra e outros. Textos sobre Iris Barry e o departamento de filmes do MoMA.
Inside/Out, blog do MoMA Disponível aqui.
▸ Robert Sitton. Lady in the Dark: Iris Barry and the Art of Film. Columbia University Press,
2014.
▸ Haidee Wasson. Museum Movies – The Museum of Modern Art and the Birth of Art.
University of California Press, 2005.
▸ Christophe Dupin. Lindgren, Ernst (1910-1973). Screenonline. Disponível aqui.
▸ David Francis.
From Parchment to Pictures to Pixels, Balancing the Accounts: Ernest Lindgren and the National Film Archive, 70 Years On. Journal of Film Preservation n. 71, jul. 2006. Disponível aqui.
▸ Christophe Dupin. The Origins and Early Development of the National Film Library:
1929-1936. Journal of Media Practice, vol. 7, n. 3,
▸ Clyde Jeavons. Harold Brown – Inventor of the art and science of film preservation and restoration. The Guardian, 2008. Disponível aqui.
▸ A History of the archive. British Film Institute. Disponível aqui.
▸ Pierre Barbin. La Cinémathèque française, 1936-1986 : inventaire et légendes. Vuibert,
2005.
▸ Laurent Mannoni. Histoire de la Cinémathèque française : l’amour fou du cinéma.
Gallimard, 2006.
▸ Cinémathèque en liberté. Programa radiofônico em cinco partes difundido pela France Culture em 1980. Disponível na íntegra, em Francês.
▸ Rolf Aurich. The German Reich Film Archive in an International Context. In: Malte Hagener (ed.). The Emergence of Film Culture. Berghan, 2017.
▸ Rolf Aurich. Cinéaste, Collector, National Socialist Frank Hensel and the
Reichsfilmarchiv. Journal of Film Preservation, abr. 2002. Disponível aqui.
▸ FIAF. 50 Years of Film Archives 1938-1988. 1988.
▸ FIAF Timeline. 2015. Disponível em: https://www.fiafnet.org/pages/History/FIAF-Timeline.html.
▸ FIAF Oral History Interviews. Disponível aqui.
▸ FIAF’s Historical Archive Catalogue. Disponível aqui.
▸ The Origins of FIAF, 1936-1938. Disponível aqui.
Película
▸ Raymond Fielding. A Technological History Of Motion Pictures And Television – An Anthology From The Pages Of The Journal Of The Society Of Motion Picture And Television Engineers. University of California Press, 1967.
▸ Roger Smither (ed.). This Films is Dangerous: A Celebration of Nitrate Film. FIAF, 2002.
▸ Barry Salt. Film Style and Technology: History and Analysis. Starword, 2009.
▸ Barbara Flueckiger. Timeline of Historical Film Colors. http://zauberklang.ch/filmcolors/.
▸ FilmCare.org/Image Permanence Institute. Motion Picture Film Technology Timeline. Disponível aqui.
▸ Spare Time Labs. Film History. Disponível aqui.
▸ Paul Read, Mark-Paul Meyer. Restoration of Motion Picture Film. Elsevier, 2000.
▸ Kodak. Chronology of Motion Picture Films. Disponível aqui.
▸ Karl Malkames. The 35-mm Motion Picture Camera from the Begnnings to the 1920s. SPMTE Journal, june/1981. Disponível aqui.
▸ Annette Roulier. A Short History and Concepts of Color Photography. Disponível aqui.
▸ Friedrich Kittler. Mídias ópticas – curso em Berlin, 1999. Contraponto, 2016.
▸ Leo Enticknap.
Moving image technology – from zoetrope to digital. Wallflower Press, 2005.
▸ The History of the
Discovery of Cinematography. Disponível em: www.precinemahistory.net.
▸ Leo Enticknap. Moving image technology – from zoetrope to digital. Wallflower Press, 2005.
▸ Raymond Fielding. A Technological History Of Motion Pictures And Television – An Anthology
From The Pages Of The Journal Of The Society Of Motion Picture And Television Engineers.
University of California Press, 1967.
▸ Roger Smither (ed.). This Films is Dangerous: A Celebration of Nitrate Film. FIAF, 2002.
▸ Scott Williams. Photographic Chemistry for Preservation. AIC. Disponível aqui.
▸ Kodak. H-24 Processing Modules for Motion Picture Films. Disponível aqui.
▸ Gawain Weaver, Zach Long. Chromogenic Characterization: a study of Kodak color prints, 1942-2008. Disponível aqui.
▸ Ilford. Reversal Processing – Application Sheet. 2003. Disponível aqui.
▸ Harold Brown. Physical Characteristics of Early Films as Aids to Identification. 1990, FIAF.
▸ Image Permanence Institute. FilmCare.org. https://www.filmcare.org.
▸ Hebert Volkmann. Preservation (chapter 3). In: Eileen Bowser, John Kuiper (eds.) A Handbook for Film Archives. FIAF, 1980. Disponível aqui.
▸ Library of Congress. Care, Handling, and Storage of Motion Picture Film. Disponível aqui.
▸ National Film and Sound Archive of Australia. Technical Preservation Handbook. Disponível
aqui.
▸ National Film Preservation Foundation. The Film Preservation Guide – The Basics for
Archives, Libraries, and Museums. 2003. Disponível aqui.
▸ FIAF. Film Deterioration Guide. 2002. Disponível aqui.
▸ Library and Archives of Canada. Instructions: a visual glossary of six stages of acetate film base. 2018. Disponível aqui.
▸ Image Permanence Institute. IPI Storage Guide for Acetate Film. Disponível aqui.
▸ Image Permanence Institute. IPI Media guide. Disponível aqui.
▸ Paul Read, Mark-Paul Meyer. Restoration of Motion Picture Film. Elsevier, 2000.
▸ Leo Enticknap. Film Restoration: The Culture and Science of Audiovisual Heritage. Palgrave Macmilan, 2013.
▸ Fernanda Coelho. Manual de Manuseio de Películas Cinematográficas: procedimentos
utilizados na Cinemateca Basileira. Cinemateca Brasileira, 2006.
Vídeo Analógico
▸ Technology Connections. Television. Série de vídeos sobre história da técnica da televisão.
Disponível aqui.
▸ Eyes of a Generation. https://eyesofageneration.com.
▸ Thomas Fine. The 35mm Album Master Fad. Sobre o uso do magnético para trilhas sonoras de
cinema nos anos 60 e 70. 2013. Disponível aqui.
▸ Early Television Foundation and Museum. http://www.earlytelevision.org/index.html.
▸ Friedrich Engel, Peter Hammar, Richard L. Hess. A Selected History of Magnetic Recording.
2006. Disponível aqui.
▸ Steven Schoenherr. Recording Technology History. 2005. Disponível aqui.
▸ The History of Magnetic Recording. 2011. Disponível aqui.
▸ Jay McKnight, Jeffrey McKnight. Some Popular Misconceptions About Magnetic Recording
History and Theory. 2012. Disponível aqui.
▸ National Film and Sound Archive of Australia. Magnetic Recording Timeline. Disponível aqui.
▸ Dana M Lee. Television Technical Theory Unplugged. 2004. Disponível aqui.
▸ National Film and Sound Archive of Australia. Technical Preservation Handbook.Disponível aqui.
▸ Early Television Foundation and Museum. http://www.earlytelevision.org/index.html.
▸ K. Blair Benson. A Brief History of Television Camera Tubes. Disponível aqui (acesso restrito).
▸ Morrell, Law, Ramberg, Herold. Color Television Picture Tubes. 1974, Academic Press.
▸ Philips. El Tubo de Camara de Televisión. Sobre o tubo Vidicon. Disponível aqui.
▸ Samuel M. Goldwasser. TV and Monitor CRT (Picture Tube) Information. 1999. Disponível aqui.
▸ Rank Bush Murphy Limited. The Shadow Mask Tube. c. 1960. Disponível aqui.
▸ Jerry C. Whitaker, K. Blair Benson (eds.). Standard Handbook of Video and Television Engineering. 2000, McGraw-Hill.
▸ Tektronix. NTSC Video Measurements. Disponível aqui.
▸ How Products Are Made. Videotape. Disponível aqui.
▸ Jerry C. Whitaker, K. Blair Benson (eds.). Standard Handbook of Video and Television Engineering. 2000, McGraw-Hill.
▸ University of Birmingham. Magnetic Materials Background Information. Disponível aqui.
▸ Sony Asia Pacific. Sony’s Technical Excellence. Disponível aqui.
▸ H. Neal Bertram. Theory of Magnetic Recording. 1994, Cambridge University Press.
▸ Tim Stoffel. Videotape Systems Theory. 2004. Disponível aqui.
▸ How Products Are Made. How Videotape Is Made. 2004. Disponível aqui.
▸ Leo Backman/DigiOmmel & Co. Fast Detection and Dehumidification of U-matic Video Tapes suffering from Sticky-Shed Syndrome. Disponível aqui.
▸ EBU subgroup G2. Handling and storage of recorded videotape. European Broadcast Union, 1992. Disponível aqui.
▸ John W. C. Van Bogart. Armazenamento e manuseio de fitas magnéticas: um guia para bibliotecas e arquivos. 2001, Arquivo Nacional. Disponível aqui.
▸ Texas Commission on the Arts. Videotape Identification and Assessment Guide. 2004. Disponível aqui.
▸ IASA Technical Committee. Handling and Storage of Audio and Video Carriers – IASA-TC 05. 2004. Disponível aqui.
▸ Jim Wheeler. Videotape Preservation Handbook . 2002. Disponível aqui.
▸ Susan P. Etheridge. The Imminent Crisis in Videotape Preservation. [Sem data definida, entre 2013 e 2018]. Disponível aqui.
▸ University of Illinois at Urbana-Champaign. Preservation Self-Assessment Program. Disponível aqui.
▸ Bay Area Video Coalition. AV Artifact Atlas. Disponível aqui.
▸ Norma ISO 18933:2012. Imaging materials – Magnetic tape – Care and handling practices for extended usage. 2012.
▸ Jean-Louis Bigourdan, James M. Reilly, Karen Santoro, Gene Salesin. The Preservation Of Magnetic Tape Collections: A Perspective. 2006, Image Permanence Institute. Disponível aqui.
▸ SMPTE – RP (Recommended Practice) 103:1995. Care, Storage, Operation, Handling and Shipping of Magnetic Recording Tape. 1995.
▸ SMPTE – EG (Engineering Guideline) 103:1995. Care, Storage, Operation, Handling and Shipping of Magnetic Recording Tape. 1995.
▸ Gregory Capelo, Robert C. Brenner. VCR Troubleshooting and Repair. 1998, Newnes.
▸ Specs Bros. Basic Inspection Techniques to Sample the Condition of Magnetic Tape. 2008. Disponível aqui.
▸ Richard Keatinge. Causes and Measurement of Videotape Decay. 2009, Broadway Video Digital Media. Disponível aqui.
▸ Jim Lindner. Confessions of a Videotape Restorer or How come these tapes all need to be cleaned differently?. 2008. Disponível aqui.
▸ Adam Nickel. The Island of Misfit Tapes. 2018. Disponível aqui.
▸ Jim Lidner. Magnetic Tape Deterioration: Tidal Wave at Our Shores. 1996. Disponível aqui.
▸ Jim Lidner. Videotape Restoration–Where Do I Start?. 2008. Disponível aqui.
▸ Videotape Preservation Website. http://videopreservation.conservation-us.org/
▸ Jim Wheeler, Peter Brothers. Videotape Preservation Fact Sheets. 2002, AMIA. Disponível aqui.
Vídeo Digital
▸ Creatures of Thought. Lost Generation: The Relay Computers. Disponível aqui.
▸ History of Computers: hardware, software and internet. https://history-computer.com/.
▸ CrashCourse, Carrie Anne. CrashCourse Computer Science. 2017, PBS Digital Studios. Disponível aqui.
▸ Jon Plutte. When a Bit Became a Pixel: The History of Computer Graphics. Filme. 2014, Computer History Museum. Disponível aqui.
▸ Kazuo Kobayashi. Birth of a Digital Phototelegraph — the Bartlane System. 2002, The Journal of the Institute of Image Electronics Engineers of Japan. Disponível aqui [em Japonês].
▸ Marius Rensen. The Bartlane System. Disponível aqui.
▸ Paul Cohen. The Incredible Machine. Filme. 1968, Bell Labs. Disponível aqui.
▸ picsandportraits. A Brief History of Computer Animation. Série de vídeos. 2018. Disponível aqui.
▸ Digital Preservation Coalition. Digital Preservation Handbook. 2. ed. Digital Preservation Coalition, 2015. Disponível aqui.
▸ The Science and Technology Council of the Academy of the Motion Pictures Arts and Sciences. O Dilema Digital. Cinemateca Brasileira, 2009. Disponível aqui.
▸ The Science and Technology Council of the Academy of the Motion Pictures Arts and Sciences. O Dilema Digital 2. Instituto Butantan, 2012. Disponível aqui.
▸ Jonas Palm. The Digital Black Hole. Disponível aqui.
▸ Terry Kuny. A Digital Dark Ages? Challenges in the Preservation of Electronic Information. 1997. Disponível aqui.